Why look at pigeon tracks on the sidewalk?
City pigeons are the product of domestication – but exist somewhere between tame and wild. Their traces in wet cement remind us that human and non-human animals share the city together. The sidewalk was once a meeting place – not just a passageway. Pigeons still use it that way.
Map of pigeon walk
Pigeons at the Movies
Ste Catherine near St Marc
“Landscape of sufficient variety promises surprises at every turn; it furnishes relief from the monotony and non-surprise of strictly sited space … What protrudes in a landscape offers us something to grasp at the most basic level of sensory awareness … [it] arrests the body momentarily in its onward motion, gives it pause, that is, gives it something to fasten onto.”– Edward Casey, Remembering: A Phenomenological Study
This corner was the most regulated and possibly the most contested of all the pigeon track sites. Signage is tightly controlled, probably with reason.
It is also the site where I managed to get one good plaster cast of a footprint – thanks to my nephew Albert’s nimble fingers. We did this at 5PM on a Thursday and hardly anybody noticed.
Mackay between Sherbrooke and de Maisonneuve
“Just before 1800, between the rowhouses and the street channel an intermediary space was created in the form of the sidewalk. These sidewalks defined a pedestrian island separate from the increasingly crowded traffic of the street. [They] intensified the public aspect of the street – its use as a stage of activity and chance encounters .”
– Spiro Kostof, America by Design
We can see the process Kostof desribes still taking place in Montreal in the late nineteenth century. Here is a downtown street in 1895 with rowhouses right up against an unpaved street with wooden walkways along each side.
de Maisonneuve west of Guy
“I stood frozen on the sidewalk…The way he walked was unmistakable … Bruno, I said … He touched his hand to my cheek. We were in the middle of the sidewalk, people were hurrying past, it was a warm day in June. His hair was thin and white. He dropped his fruit. Bruno.”
– Nicole Krauss, A History of Love
Guy north of de Maisonneuve
Look at these heavy tulip bulbs, the torsos
we lift into the air. Can you? We guard
your immobilized heroes
bring them and your concrete piazzas
to life, are smartly unromantic
about the outmoded countryside,
have no need for medals,
our collars, iridescent violet-green
bind us to no master.– from the poem “A Word from the Feral Pigeon” by Andy Quan
See http://pigeonpoetry.com/ for the complete poem.
St Marc below Ste Catherine
“Animals in art do not provide a window to the world but a selection from the world … that tells us as much about human societies and human concerns as about the animals themselves.”
Howard Morphy, ed., Animals into Art
These pigeon tracks are somewhat indistinct especially overshadowed by the very bold dog (and human) tracks just beside them.
There are two sets moving in opposite directions. One pigeon or two?
The dog tracks dominate, but if you look closely, there are human tracks (smooth soles, male), and two main sets of pigeon tracks.
St Mathieu south of de Maisonneuve
“Familiar things seen in an unfamiliar context become perceptually new as well as old.”
– Robert Venturi, Complexity and Contradiction in Architecture
These tracks are left by a pigeon who landed right into the wet cement and then flew right out again without taking a step. Pigeons don’t hop. There are many other fainter tracks of walking pigeons nearby, but these deeper tracks show the weight of the pigeon as it lands and takes off.
Note the large planter full of parsley in the background. It is one of two in front of the Pizzeria Anatolia whose slices are available until the wee hours of the morning. Thanks to the pizza-meister for filling my purple bucket twice with hot water. Tasty pizza too.